His life is filled with so much bullshit, at his house, his school, he gets abused everywhere he turns, so he listens to music to escape and it eventually teaches him how to grow a backbone and push people back. In the first verse he is talking a bit about himself when he was younger.When I was younger and listened to this song I almost felt as if he was talking about me. Now if you wanna get very definitive, this song has many, many layers and goes into a lot of subjects. In short, it's basically about how music is really the only escape for humanity and the only thing that has the power to save it. Follow or slander him on Twitter.You guys all have this wrong, which really upsets me because this is one of his best songs. Eminem, the Rap Boy turned Rap God, can no longer save rap from what he created.
![eminem sing for the moment eminem sing for the moment](https://cloud10.todocoleccion.online/musica-cds/fot/2007/01/18/4173018.jpg)
The sarcastic, divided social media response to the mere mention of that still-mythical Drake diss from Em reaffirmed the idea that Em belongs to a bygone era, yet he’s still held up as the pinnacle of rap by all the Slim Shadys who followed. What would happen if white rap actually decided to be a part of rap itself? Who knows. His example doesn't need to speak for the entire category of white rappers-Mac Miller, the Beastie Boys, and many others show that whiteness and this brand of rap aren’t synonymous. That schism leads to the success of artists like Lil Dicky, who is unable to fully inhabit his chosen genre under the guise of ironic self-deprecation. By extension, this type of "white rapper" rap sells the genre short with the implicit suggestion that it takes a white voice rapping over a guitar to make the music’s message serious, legitimate, and safe. It’s as though it’s a requirement to be joylessly self-important if you’re white and you rap.Įminem probably didn’t mean to have this effect, but "Sing for the Moment” launched this trend its legacy is a subsection of rap that caters to non-rap fans and exists outside of the mainstream genre conversation. Logic, who is mixed race, nonetheless makes white rap because his music is usually a chore to get through, as it's nothing but piano-driven ballads. Why in the hell does beer pong have to be wistful? How does one pivot from possibly the hardest Southside beat to circa 2007 alt-rock radio? Because it’s deeper than that, bro (it isn’t).
![eminem sing for the moment eminem sing for the moment](https://i.ytimg.com/vi/E17UA5auhi4/maxresdefault.jpg)
From here, we have Asher Roth couching his ode to American Pie frat house antics in the aching strums of “Say It Ain’t So” (or is it John Mayer?) and Machine Gun Kelly bombastically covering that acoustic Rise Against song. Goode.” It’s the moment when the direction and general form was crystallized.
![eminem sing for the moment eminem sing for the moment](http://images.eil.com/large_image/XXX-236652.jpg)
If, as Vince Staples and Mac Miller said, “white rapper” is a “corny” genre, “Sing for the Moment” is its own “Johnny B. It’s rap music that courts people who claim not to like the genre, that maintains the idea that rap’s message is most legitimate when it sounds serious and super-technical and it maybe features an acoustic guitar. This-the overly sincere hand-wringing over anemic, rock-leaning beats-is white rap. This is what “Sing for the Moment” created. It’s just a pop song about how the dude wants some space, but it’s delivered with a preachy self-seriousness that imagines its subject matter is as important as that of a Kendrick Lamar song. One of the biggest rap hits right now is G-Eazy’s “Me, Myself, and I,” a song with barely any rhythmic pulse and the tone of a funeral announcement.